Happy 25th Anniversary to Too $hort’s eighth studio album Get In Wbelow You Fit In, initially released October 26, 1993.

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When Todd “Too $hort” Shaw dropped Get In Where You Fit In in 1993, he was one of the few hip-hop artists that can really be thought about a veteran that was still making high quality music. Sure, hip-hop’s landscape was lived in with rappers and also DJs who had actually “been there” because the beginning, but few had a considerable body of occupational behind them. And of the “old school” artists that had actually been recording and also releasing music since the Park Jam era, many of their ideal days were behind them.

Meanwhile, Get In Wright here You Fit In was Too $hort’s eighth studio album, which put the Oakland also legfinish in a rarified air even a quarter of century ago. Very few, if any type of, hip-hop artists besides Too $hort can case to have actually eight albums to their name earlier then. And extremely few, if any type of, were still going as solid as Too $hort was a decade right into their careers. Get In Wbelow You Fit In sat comfortably via the finest albums that he’d ever made twenty-five years ago, and also it still remains in that rarified air close to fifteen albums later on. With Too $hort seemingly relocating into the following phase of his career, Get In Wright here You Fit In both looks to the future and also honors his past as an artist.


Get In Where You Fit In signaled either the end of the second act of Too $hort’s career or the start of the 3rd. He’d moved well beyond distributing his music on his very own in your area, and he’d currently establimelted himself as a effective platinum artist that earned nationwide appeal without compromising his sound or content. The change wasn’t on the lyrical content end of things; aside from being a little older and bit even more seasoned by the human being, Short was eextremely little bit the raunch-master that he was via Born to Mack (1987) and Short Dog’s In the House (1990). The change on this album came from the perspective of the beats, and also the type of tracks that he determined to rap over.

In some means Get In Wright here You Fit In is Quick Dog’s many “Oakland” album that he had released. Many of the songs are love letter to the city wbelow he was increased and also made his legend. Furthermore, the album attributes a laundry list of Oakland-based artists, consisting of both established crewmembers and also up-and-coming talent.

Musically, it was the first step in a brand-new direction for Too $hort’s manufacturing. In his early on days, Brief had actually favored drum machine-propelled tracks, much in the vein of Whodini and also various other old institution hip-hop artists, slowly relocating to sampled product. He’d frequently incorporated live instrumentation, but not to the degree that it shows up on Get In Where You Fit In. With this album, he frequently uses a mix of the two, through the sample offering the backbone of the track, and his band also, the Dangerous Crew, providing added flourishes.

The album’s opening track “Don’t Fight the Intro” is a complete musical rebuilding and construction of One Way’s “Don’t Fight the Feeling,” which Too $hort initially sampled on a track of the exact same name on his 1989 album Life Is… Too $hort. Short recounts what even ago then was a long and storied career, providing an assessment of his catalogue, even pointing out which projects didn’t occupational.

Get In Wright here You Fit In is ideal known for “I’m a Player,” the album’s initially single and in the great legacy of tracks declaring Quick Dog’s macking capacity. Over a sample and replaying of Booty Collins’ “Hollywood Squares,” Short applauds his very own distinguished background and aptitude at obtaining females and laying down game. It’s much from uncharted area for $hort, yet it’s flawmuch less in its execution. Musically, it’s among $hort’s ideal compositions, a blend of Oakland also funk with smooth G-Funk impacts. Lyrically, Too $hort keeps points as straightforward and straight-forward as constantly, reminding listeners, “So if you ever watch me rolling in my drop peak Caddy / Throw a tranquility sign and also say ‘Hey, pimp daddy!’ / ’Cause I never before would front on my folks / I slow-moving dvery own and let the gold diggers count my spokes.” It’s one of the ideal singles that Too $hort ever before released and also on the, ahem, short-list of ideal songs that he ever taped.


“Money In the Ghetto,” the album’s second single, is another solid enattempt and an expansion of his previously single “The Ghetto” from Short Dog’s in the House. Quick Dog provides the track to deal with the misconception that also though conditions in areas prefer East Oakland also aren’t constantly the finest, its citizens aren’t consumed by poverty and despair. He asserts that tright here are human being that reside in these neighborhoods that are living well, and not just through less-than-legal suggests, and also all are enjoying their resides. Over a sample of Kool & the Gang’s “Hollywood Swinging” (and extra keyboard flourishes), Brief raps, “You much better sheight trippin’ on them stereotypes / ’Causage in the ghetto there’s a great life / We ain’t starving choose Marvin, won’t see no roach / When you chill wit the affluent folks.” Another highlight comes when Too $hort breaks dvery own everyone that shows up on U.S. currency, including his “old college homie” Alexander Hamilton.

The album functions a few classical Too $hort rider anthems, the first of which is “Just Anvarious other Day.” It’s the just track on the album developed by someone outside of Too $hort’s prompt camp, as QD III (Quincy Jones’ son) functions behind the board to create a smooth and mellow soundscape. The song attributes as the Bay Area-precursor to Ice Cube’s “You Kcurrently How We Do It,” which QD III additionally created.

Over what sounds favor a replaying of Vaughan Mason’s “Bounce, Rock, Skate, Roll,” Too $hort uses the song to information typical days in his life. He initially recounts traversing the Bay Area from North to South, beginning in Vacaville and also heading to San Jose, only to journey earlier to Oakland. He then details capturing a Warriors/Supersonics game and also after that playing NBA Jams and dominoes through Sonics point guard/Oakland resident Gary Payton. He finishes the track explaining his experiences touring throughout the nation, acquiring love in areas favor New Orleans, Birmingham, and Detroit.


Though “I’m a Player” is a prime instance of Brief detailing his sex-related exploits, tright here are more songs about him not obtaining laid than there are around his conquests. “Gotta Get Some Lovin’” is a relatively light-hearted enattempt, as he details trying to uncover ways to make it through through a dry spell. Meanwhile, on the even more confrontational “All My Bitches Are Gone,” a duet via producer/rapper Ant Banks, the duo information their frustration via every one of their woguys deciding to bounce, while stating via confidence that their game is so solid that they’ll be able to discover a bevy of brand-new companions.

“Blowtask Betty” is one of the album’s finest songs, but rather of an odd inclusion. It’s a remake/refunctioning of a track from his Raw, Uncut, and X-Rated album. Rather than using drum-machine pushed slaps, this time he rhymes over a sample of the horn-driven “Stalag 13” riddim (best recognized as the basis for dancehall artist Tenor Saw’s “Ring The Alarm”) and a live bassline and also synthesizers. It’s another darkly humorous track, as Short Dog explains his encounters via Betty who’s known for her, ahem, talents at transferring oral pleasure. The song ends through Betty’s fatality as Too $hort realizes that he “busted a nut and also killed a bitch.” Aacquire, not the most enlightened song ever recorded, but Too $hort was constantly able to pull stuff like this without sounding favor a complete cad.


Quick isn’t done paying tribute to his previous, as “Playboy Short” is one more cover of among his earliest jams—the song was originally the final track on his exceptionally initially album, Don’t Soptimal Rappin’ (1983). Brief renders minor tweaks to the song lyrics, but its visibility on the album seems to be around his progression, production-wise, and the timelessness of his occupational. The fact is that the 10-year old lyrics sound simply as at house in 1993 as they did a decade before. Musically, he eschews the pounding drums and also synths for a smoother backdrop, making use of a live piano and also bass to produce an additional late-night rider anthem.

As much as Get In Where You Fit In is around showcasing his continued relevance as an artist, it’s additionally around showcasing up-and-coming Bay Area talent, especially throughout the album’s second half. The aptly called “Dangerous Crew” is a posse cut featuring the core of the eponymous crew, consisting of Spice 1, Banks, and also Goldy (previously recognized as Mhisani). Musically, the Dangerous Crew manufacturing cumulative does a wonderful task at re-developing Funkadelic’s “Freak of the Week.” Brief Dog expresses his disdain for artists that don’t use live manufacturing, rapping, “I"m right into somepoint that your fake ass never have the right to manage / With your SP-12 and your raggedy samples / Better stick with the James Brvery own and pay him / ’Causage the JD 800 ain’t even playing.” As funny as the lines are, they sound a tiny weird considering how much sampling is offered on the album.


The album’s eight-minute title track serves multiple purposes. First, it’s a dis track to Pooh Man/MC Pooh, a former member of the Dangerous Crew that fell out through the cumulative possibly over contractual worries. Pooh unloaded on the crew for what appeared choose half of his 1993 album Judgment Day, however Brief pretty much handles him through one lengthy verse. Short taunts Pooh, boasting, “We stole all your money, and all your songs / Done you choose a ho and then sent your ass home / One punk came and went / Had to fire the ho, however I’m still a pimp.”

The second purpose of the track is to allow the Bad-N-Fluenz crew to obtain loose on the mic. Made up of Rappin’ Ron and Ant Diddley Dog, the pair had actually become famed in the Oakland also scene for the capability to rap seemingly endlessly. Here they pass the mic earlier and also forth, each kicking a pair of lengthy verses. Rappin’ Ron starts by giving an instructional leschild on street survival in the highways of Oakland also, switching from a delibeprice circulation to tongue-twisting rhymes at the drop of a dime, rapping, “Don"t ever before go out favor an additional sucker / You gotta display everybody that you the baddest motherfucker / Show them n***as you the biggest boss / And ain"t no slipping avoiding the tripping just popping a clip and breaking them n****s off.” Meanwhile, Ant mirrors his very own abilities through raps choose, “But ain’t no stopping this fool, I’m on a ramweb page / Breaks out in a damn rage, so don"t attempt to stand, break / Sit in the variety, you’ll acquire maimed, I don’t fight fair / Strike with a mic, in a psych is a nightmare.”


“Way Too Real” attributes the talents of Father Dom, another underrated Oakland artist who’s been on his grind for a while, first releasing a self-titled album in 1991. Here he appears via Brief Dog to screen his player credentials, bragging around his macking abilities over some synth hefty Oakland also funk. The album closes through “Oakland also Layout,” basically a solo song by F.M. Blue, that uses his smooth shipment over a sample of Silver Connection’s “Heart of Stone.”

Get In Wright here You Fit In was an unqualified success: it was certified platinum and was the initially Too $hort album to reach #1 on Billboard’s Top Hip-Hop/R&B charts. Too $hort continued to plug ameans in his new musical direction after Get In Wbelow You Fit In, and also likewise adjusted the place of his base of operations: Too $hort and a lot of the Dangerous Crew resituated to Atlanta in 1994. Though he remained true to his Oakland roots on albums choose Cocktails (1995), he began infusing some of the burgeoning southerly hip-hop sound as well.

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With Gettin’ It (Album Number Ten) (1996), he “retired” for the initially time in what turned out to be a relocate to gain out of his Jive Records contract. He unretired a couple of years later on, and also continued distributing albums with Jive for another 10 years or so, proceeding to cater to his audience and also even release some of the the majority of successful songs of his career, like 2006’s “Blow the Whistle.”

The triumph of Get In Wright here You Fit In collection the phase for Short’s sustained career longevity. It additionally demonstrated why Too $hort has actually lasted so long: he’s constantly producing music that stays true to his roots, while understanding what his audience is trying to find. You don’t become a veteran through cshed to about 25 albums to your name without knowing specifically where you fit.


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