What’s nice around "All of This Life" is that it builds just the right amount off of their initially album. It’s familiar, yet additionally slightly better, which is the sweet spot for sophomore records.

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Tbelow are many type of theories about the dreaded sophomore slump. One is that while a band has actually, fundamentally, an boundless amount of time to create their deyet album, they have actually a a lot tighter turnaround for their second. Anvarious other is that touring behind a debut album doesn’t leave a lot time to compose.

But an individual and also much less renowned concept is that expectations are the real obstacle of a 2nd album. If a band deviates as well much from the sound of the initially album—specifically a successful one—some fans are upset the band changed. But if the band also recreates the sound of the debut, various other fans are upcollection there’s no development. It’s difficult to win the fight of hearts via a second album. Having shelp that, All of This Life, the sophoeven more album from Los Angeles power trio The Record Company type of, is a solid blues-rock album that builds, ever so slightly yet fairly deftly, on the work-related of their hit, Grammy-nominated 2016 album, Give It Back to You.

The huge readjust is the climb of the background vocals. Give It Back to You had actually some, but All of This Life really takes advantage of the vocals of baid Alex Stiff and also drummer Marc Cazorla. They push and lift singer/guitarist Chris Vos over the course of the album, offering the album a warmth and also depth that deserve to be difficult to hit when working in the power trio format.

Power trios are all about filling space and also background vocals are a terrific tool for helping 3 tools sound favor a veritable orchestra. It’s a guideline exercised by (however not exclusive to) many Los Angeles bands, from Van Halen to Mötley Crüe. The background vocals kick in on the first track, “Life to Fix,” which begins via a bass riff that provides method to the drums, coming to be a stomp with Vos’s singing reincompelled by background chanting. That very same chanting retransforms on “I’m Getting Better,” a rockabilly-esque tune that also functions some harmonica.

Vos additionally explores falsetto on the album. “Goodbye to the Hard Life” is an excellent instance of it, via the falsetto augmented by even more background vocals that offer the song a doo-wop feel. Vos additionally shifts back into a soulful lower register for the bridge, demonstrating his flexibility not simply in between albums however even within songs. The falsetto retransforms for “You and Me Now,” a piano ballad, sweetened with some slide. Which isn’t to say the album is all about the vocals. It rocks in a bluesy and also country-ish method. And there are interesting surprises, choose “Coming Home,” which is John Mellencamp’s “Hurts So Good” crossed through ELO’s “Don’t Let Me Dvery own,” all developed about a handclap of a beat.

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One amazing note around All of This Life is that it frequently mirrors Give It Back to You. For instance, the initially track on both records starts via bass guitar and also the second track on both are greatly rockabilly influenced. They more than likely weren’t trying to recreate their effective dehowever song-for-song, but it seems choose the one-time-winning formula was on the band’s mind. What’s nice around All of This Life is that it builds just the best amount off of their initially album. It’s familiar, however likewise slightly much better, which is the sweet spot for sophoeven more documents.

The Record Company type of – All This LifeTracks: 10Label: Concord RecordsReleased: June 22, 2018Run time: 44:48